So, in keeping with my resolution to listen to albums rather than songs on random, I sat down and listened to one that I hadn't listened to in a while: Zwan's Mary Star of the Sea. Zwan, for those of you who don't know, is Billy Corgan's other band. It only released one album, which is really too bad.
I'll go through song by song like I normally do and then give you an overall opinion.
Lyric
This is a beautiful song and a great opener. It's up-beat and uplifting. The vocals are really pretty, with the bassist--Paz Lenchantin--providing a really nice counterharmony to Billy's lead. The structure is classic Pumpkins, but the overall effect is distinct: this is what the Pumpkins would sound like if Billy had been happy rather than, you know, a ragey caged rat.
Another thing that really makes this song stand out is the intricacy of the guitar parts. Zwan had three guitarists, and they really got a lot of mileage out of them. Even though Billy always used studio trickery to make his songs sound extremely dense and lush, this album takes that to the next level on a lot of tracks by also adding a lot of variation to the parts the guitars are playing. That effect is prominent here, and it's good.
5 out of 5.
Settle Down
Not as good as the first track, and definitely not as pop-friendly. But still decent. Not a stand-out track, and certainly one you'd skip if you were doing an abbreviated listen, but not every song can be a showstopper. This is one of the weaker songs on the album, but it's still decent.
3 out of 5.
Declarations of Faith
Another up-beat, radio-friendly affair. Billy's songs always have interesting structures with fluid transitions from one section to the next and from one dynamic to another. This song--while not as varied as, say, "Thru the Eyes of Ruby" (one of my all-time faves)--still goes from the drum-driven verses to the bombastic choruses to the complex breakdown. Very nice.
4 out of 5.
Honestly
This is the single from the album. It got some airplay and there was a video, but I think it mostly flew under the radar. I can see why--it's adequate, but not amazing. I don't know why they chose this one, frankly. "Lyric" would have been my choice. Actually, I do know why they picked this one: it was fairly safe. It's got a conventional structure, a guitar solo that's not off-putting, and it's not entirely un-Pumpkins sounding.
Still, for all its shortcomings, it's a decent song. It's sort of the love song Billy never wrote with the Pumpkins. Machina gave us "Stand Inside Your Love," a pseudo-love song that is frankly creepy ("I'll wrap my wire around your heart"), and then Star of the Sea gave us a sincere ballad.
I'm hesitant to give this one a 3 but I don't think it merits a 4, so I'll give it a 3.5 out of 4.
El Sol
I like this song. I can't really quantify why. It's not particularly exciting in any aspect, but it's just sort of fun to listen to. I could see myself driving around listening to this song during the spring or summer, tapping my foot, with a smile on my face. Which is strange cause, you know, it was written by Billy Corgan.
4 out of 5.
Of a Broken Heart
Hey, so Billy can still write sad songs. But even though this is a more introspective tune, it's not as dire and bleak as some of his previous work--it's no "Soothe," for example. Paz plays the violin on this one, I think, and it really adds a lot to the song. The strings here aren't as in your face as they are on, say, "Disarm" or "Tonight, Tonight," but they're a little more intricate.
4 out of 5.
Ride a Black Swan
I don't know. I don't find this one particularly appealing. Again, I can't really put my finger on it. The melody during the verses just doesn't do anything for me, and there's nothing too interesting going on during the chorus. I'm comfortable comparing this song to something like "We Only Come Out at Night" in that it's there, it's not offensive, it's not so bad that it ruins the flow of the album if you're listening all the way through, but no one ever puts on the CD for the express purpose of listening to this song.
3 out of 5.
Heartsong
More of the same as "Ride a Black Swan," really. There's some interesting stuff here, but overall it's just sort of "meh." I don't dread this song, but I don't look forward to it, either.
3 out of 5.
Endless Summer
After the relatively down-tempo "Heartsong," getting an up-beat number like this one is a good change. The verse-chorus-verse-chorus part is decent but not special, but I really like the solo, breakdown, and end. The vocals are fun and the guitars are cool. Again, it's not a break-out hit, but it's a fun listen.
3 out of 5.
Baby Let's Rock!
This song is called "Baby Let's Rock!" That should tell you that this is a significantly different band than the Pumpkins. As near as I can tell, this song is about, well, rockin' with your baby. Or wanting to. It's happy and it's about wanting someone, but not in a creepy ("Lily (My One and Only)"), desperate ("Love"), or entirely unhealthy ("Bodies") way.
And it's catchy, too.
4 out of 5.
Yeah!
For those of you playing along at home, that's two consecutive song titles with exclamation points in them. That's fucking strange. But both of these songs live up to whatever it is that the exclamation point promises: up-beat, good-time songs. Which, again, is strange.
This song is similar to "Lithium" in that the chorus consists entirely of the word "yeah," but the similarities between those two songs ends there. This one goes back and forth between quieter verses and louder choruses, the latter of which come with a very catchy little riff that you sort of want to hear forever. It's a keeper!
4 out of 5.
Desire
Meh. This is probably my least favorite song on the album for two reasons. First, it's just not that great. It's sort of boring. The lyrics are me, the music is meh, the whole thing is meh. If I was gonna cut one song from the album, it would be this one.
Depending on how you draw the line between a two-star and a three-star song, this one could go either way. Is it actively bad? Not really. But it's completely by-the-numbers and boring and just overall weaker than everything else on the CD. I'm listening to it now and it definitely seems like a two-star song, but I could see it as deserving three if I was in the right mood.
2 out of 5.
Jesus, I/Mary Star of the Sea
The second thing that "Desire" has going against it is that it has the unenviable task of preceding what is, by far, the best track on the album and one of my all-time favorite Billy Corgan songs. If "Desire" was a good song, it would be hard for me to sit through it instead of skipping to "Jesus, I/Mary Star of the Sea." Given that it's a meh song, I almost never make it all the way through.
Anyway, this song is fabulous. One of the things Billy was best at was the epic songs. "Soma" is simply one of the best songs ever written, "Silverfuck" is an interesting excursion in psychedelia, "Porcelina of the Vast Oceans" is epic and sprawling and awesome, "Thru the Eyes of Ruby" is just an excellent song, and "X.Y.U." is one of the most honestly angry songs I've ever heard. In terms of sheer length, "Jesus, I/Mary Star of the Sea" is longer than the longest one of those by almost double--this song is fourteen minutes long, people.
This thing starts with a simple guitar line, and builds from there. Billy's voice enters, then another guitar, then the whole band, all building on that first guitar figure. The song keeps building until you can't help but nod your head in time to the driving drums. Then a very-Billy-Corgan guitar comes in and tears everything down. Then the whole thing starts building again, this time much more slowly. Eventually, there's a temp change and my favorite part starts.
It's this soothing, fragile, lush sound. Each of the guitarists is doing something different and the overall sound is deep and complex and just beautiful. It builds gradually, thins out, slows down, and then the drums come back in and this thing slowly morphs back into a rock song with a heavy guitar doubling the vocals. There are so many different parts, it's hard to pick them all out, but it never sounds muddy or unorganized or overwhelming. It's sublime. "Everything just feels like rain" and then it's an awesome hard-rock jam till the end.
All in all, this thing is awesome.
5 out of 5.
Come With Me
I forget that this song is on the album, frankly. For me, "Jesus, I/Mary Star of the Sea" is such an awesome song that I don't understand why they didn't end it there. I'm honestly shocked when this song's little vocorder intro comes on. But then I hear the first few bars and my shock turns to pleasant bemusement. This is a damned good song, actually. It's different from what you'd expect, but it's catchy and infectious and cute. It's just a guy singing about being happy and wanting his girlfriend to stay the night. It might not be what we've come to expect from Billy Corgan, but it's good.
5 out orf 5.
I think that last sentence sums up the album, really. It's different, but it's good. There are a lot more songs on this album that are in major keys than on anything the Pumpkins ever did, but that's not necessarily bad. In fact, a lot of the songs here reveal a songwriter who's still got it to some degree. This album's not about angst, it's about moving past that and being happy. That might have put some people off, and I think that's unfortunate.
Still, the thing's not perfect. There are definitely some areas where it drags, and I think that the band would have benefited from having more time to come up with a few songs that weren't as predictable as some of stuff that came in in the middle. But the beginning and the end are awesome, and there's some decent stuff in the middle. So overall, I think this is a respectable showing, and I think this band should have gotten more respect than it did.
On the overall rankings, I'm tentatively prepared to move this ahead of Adore on my list of all time favorite Billy Corgan works, but I think I'll have to listen to Adore again before I make that a final decision.
So there you go!